Last week I pitched my idea for a drama performance during common art’s community leadership meeting, and there was indeed some interest. The initial meeting group was relatively small, but we picked up more volunteers throughout the day.  I’m confident that interest will grow with time. We discussed themes for the show and decided on “life on the streets,” to be interpreted however the writer or performer desires. This theme was suggested to me by my aforementioned advisor, who’d facilitated drama-therapy performances with those experiencing homelessness in New York. To be honest, I had voiced to him my hesitancy to propose this theme. He suggested that I might want to explore my hesitancy and that it would be worthwhile looking into the theme.

It’s not always easy to take a good look inside yourself and see where your resistance exactly lies. I found that I was reluctant to bring up the subject of “life on the streets” because I didn’t want to come across as pandering or patronizing.  Especially considering the privileges that I’ve been afforded, I didn’t want to suggest a performance that might exploit the suffering of others. Having investigated my motives, I came to the conclusion that exploring the theme of “life on the streets” was worthwhile, and that it would be selfish for me to refrain from proposing this theme just because it made me uncomfortable. Life on the streets is full of challenges that I would never be able to predict. It would be a disservice to deny people the chance to represent the realities of their lives.

-Amanda Ludeking