1989

  • April 8.  Emmanuel Music gave a concert in honor of Principal Guest Conductor John Harbison’s 50th birthday (20 Dec. 1988).  His wife Rose Mary Pederson Harbison opened with a violin concerto she had played at its 1980 premiere.
  • Katharine Ward Lane Weems died and bequeathed a pair of Spanish candelabra now standing in the  baptistery of our Sanctuary.  Born 22 Feb.1899, she was the only child of  Emma Gildersleeve and Gardiner Martin Lane, who was chairman of the Board of Trustees of the Museum of Fine Arts from 1907 until his death in 1914. They lived at 53 Marlborough Street and were members of Emmanuel.

Katharine attended the Museum School from 1915 and began to show her work in 1920.  She designed the brick friezes and bronze doors of Harvard’s Biological Laboratories with two massive bronze rhinoceri (one pictured below) installed in the courtyard in 1937.

See also

Image by Daderot, WikiCommons, of her sculpture at the Museum School, Boston

1988

  • June.  Organist Michael Beattie joined Emmanuel Music for rehearsals in our Music Room of Peter Sellars‘ version of Mozart’s opera Le Nozze di Figaro, which played that summer in the PepsiCo Theater in Purchase NY.  Craig Smith conducted; Frank Kelley sang the part of Basilio; Jayne West, the Countess; and Susan Larson, Cherubino.
  • In her “Peace Pentecost” sermon at our Cathedral Church of St. Paul, poet Denise Levertov (1923-97) emphasized the connection between contemplation and action:  “If we neglect our inner lives, we destroy the sources of fruitful outer action.

    Thanks to U. of California Press for this image.

    But if we do not act, our inner lives become mere monuments to egotism.” At Emmanuel she founded a Peace Group to foster the links between spiritual thought and action among her fellow parishioners.

Earlier in the decade she had been attracted to Emmanuel by our social-justice activities, beautiful music and liturgy, and rector Al Kershaw, who counseled her.  “He assured her that doubt was part of spiritual growth and the darkness she encountered might increase her sense of dependence and lead her to God,” says her biographer Dana Greene citing Denise’s diary entry for June 13, 1988.

Denise’s father, Paul Philip Levertoff (1878–1954), born in Belarus, an early proponent of Messianic Judaism, took holy orders in the Anglican Church and preached wearing an alb with a tallit and kippa.

The Rev. Paul Philip Levertoff

In 1922 he become director of what is now the London Diocesan Council for Work among the Jews and edited its quarterly journal, The Church and the Jews. He was a prolific writer on theological subjects in Hebrew, German, and English and translated into English the Midrash Sifre on Numbers (1926) and the Zohar  (1933).

See also:

  1. Dana Greene.  Denise Levertov:  A Poet’s Life.  Urbana IL:  U. of Illinois Press, 2012.
  2. Denise Levertov.  Making PeaceBreathing the Water.  NY:  New Directions, 1987.
  3. Donna Hollenberg.  A Poet’s Revolution: The Life of Denise Levertov. Berkeley: U of California Press, 2013.
  4. Paul A. Lacey and Anne Dewey, eds.  The Collected Poems of Denise Levertov.  NY: New Directions, 2013.
  5. Paul Philip Levertoff. Love and the Messianic Age.
  6. Timeline: 1994

 

1987

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