Art & Spirituality Program

One part of my internship at Emmanuel Church is with the Art and Spirituality program at the Suffolk County Correctional Facility. This program provides women housed at the prison with the time and materials to make cards to send to their friends and loved ones. They are provided with images that they can color in, and I have started drawing my own images for them each week. I have made drawings for specific holidays like Halloween and Thanksgiving, images to use for birthday cards, and images for cards that are not for any particular occasion. Continue reading

Gratitude

There were many feelings going around after the election results came in, almost all negative: anger, sadness, and fear. Common art took place on Wednesday morning, so it was especially fresh in everyone’s minds. As I mentioned in my last blog post, we had started working on a “gratitude tree” – a tree drawn on poster board that the whole community helped color in, and started writing things for which they feel grateful on cut-out leaves and sticking them on the tree.

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Stories

Something I have noticed the last couple weeks of my internship with Emmanuel is all the stories that people tell. All three of the populations with whom I am working, despite the wide age range and different backgrounds, have many stories to tell. I have been surprised by how willing many of the program participants are to tell their stories. In common art, I have found several people making art about events that have happened in their past, and being very willing to share despite the sometimes intense nature of these stories. It felt meaningful to me that they were given this artistic outlet to tell their stories. I want to explore this further, and see if there are projects I can come up with that could enhance their experience of telling their stories through art.

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Greetings from Our Art Therapy Intern

Hello to the Emmanuel Church community! My name is Kate Solow and I am this year’s intern from Lesley University. I am in my second year working towards my masters in art therapy and mental health counseling. I got my BFA in Illustration from Massachusetts College of Art and Design, and hope to use those skills both as an art therapist and as a children’s book illustrator. I am excited to be this year’s intern and am grateful for the opportunity to work with and learn from the different populations served by the church.

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2015

April 4.  The New York Times reported that Pauli Murray‘s family home in Raleigh NC had been named a national treasure by the National Trust for Historic Preservation.

As part of the Pauli Murray Project a memorial mural painted on the brick wall of a former tobacco warehouse in Durham NC shows her flanked by panels that read:

 As an Episcopal priest, Pauli Murray used the pulpit to find the “spirit of love and reconciliation” as expressed in her ministry as the “goal of human wholeness”. — Karla Holloway

It may be that when historians look back on 20th century America, all roads will lead to Pauli Murray.  Civil rights, feminism, religion, literature, law, sexuality — no matter what the subject, there is Pauli. — Historian Susan Ware

Pauli Murray taught us that our lives are not defined by our race or our gender but by our striving to make the world a better place than when we found it.  — Elnora J. Shields, Southwest Central Durham Quality of Life Project

Murray mural

Pauli Murray mural (detail) on tobacco warehouse in Durham NC

See also:

2009

PL WerntzOur vestry called The Rev. Pamela L. Werntz to be our twelfth rector.

 

bishopblessing253

 

 

 

 

The Rt. Rev. Gayle Harris blessed our new garden.

 

 

 

Brett Cook and others in Durham NC completed the installation of Face Up:  Telling Stories of Community Life, which includes five murals picturing The Rev. Dr. Pauli Murray. Installed at 117 S. Buchanan Blvd. is “Soul Roots” with an inscription from Proud Shoes:  “It had taken me almost a lifetime to discover that true emancipation lies in the acceptance of the whole past, in deriving strength from all my roots, in facing up to the degradation as well as the dignity of my ancestors”.

1989

  • April 8.  Emmanuel Music gave a concert in honor of Principal Guest Conductor John Harbison’s 50th birthday (20 Dec. 1988).  His wife Rose Mary Pederson Harbison opened with a violin concerto she had played at its 1980 premiere.
  • Katharine Ward Lane Weems died and bequeathed a pair of Spanish candelabra now standing in the  baptistery of our Sanctuary.  Born 22 Feb.1899, she was the only child of  Emma Gildersleeve and Gardiner Martin Lane, who was chairman of the Board of Trustees of the Museum of Fine Arts from 1907 until his death in 1914. They lived at 53 Marlborough Street and were members of Emmanuel.

Katharine attended the Museum School from 1915 and began to show her work in 1920.  She designed the brick friezes and bronze doors of Harvard’s Biological Laboratories with two massive bronze rhinoceri (one pictured below) installed in the courtyard in 1937.

See also

Image by Daderot, WikiCommons, of her sculpture at the Museum School, Boston

1914

 

The Students’ House Corporation, under the direction of Mary S. Holmes and Charlotte Upham Baylies, built at 96 The Fenway a home for our Students’ House, which had been in rented quarters since its inception in 1899. They engaged architects Kilham & Hopkins, raised a large portion of its construction cost ($124K), and secured a mortgage for the remainder.  The building is now Kerr Hall, a Northeastern University dormitory.

 

 

 

October 6.  About a thousand people attended the funeral service for financier, philanthropist, and parishioner Gardiner Martin Lane (born 1859).  The Rev. Dr. Elwood Worcester, The Rt. Rev. William Lawrence,  The Rev. John W. Suter of Winchester, and The Rev. Prescott Evarts from Lane’s Harvard Class of 1881 officiated.  Pallbearers included President  A. Lawrence Lowell of Harvard, Sen. Henry Cabot Lodge, Charles Francis Adams, and several of his partners from Lee Higginson & Co.. Lynnwood Farnum played a Tchaikovsky funeral march and “Dead March” from Handel’s “Saul”. The boys choir sang “Abide with me” and “The strife is over”.

Gardiner Martin Lane from Harvard College Class of 1881 biography of him in the papers of Katharine Lane Weems at the Schlesinger Library, Radcliffe.

As treasurer of the New England chapter of the International Red Cross, Lane collected and distributed relief funds for the Salem fire (1914), the San Francisco earthquake (1906), and other disasters.  Appointed trustee of the Museum of Fine Arts in 1906, and elected its president in 1907, he oversaw its move from Copley Square to the Evans Building on Huntington Ave., which was designed by Emmanuelite Guy Lowell.  Spearheading the Museum’s fundraising effort for the new facility, Lane said, “A mere collection of beautiful objects is of little value unless seen, appreciated, and understood by many.”

Gardiner was born in Cambridge in 1859 to Fannie Bradford and Harvard philologist George Martin Lane, who became the first Harvard professor to receive a pension. Gardiner graduated from Harvard in 1881 and married Emma Louise, a daughter of Basil L. Gildersleeve, his father’s colleague at Johns Hopkins U.. The Lanes are buried in Mt. Auburn Cemetery’s Lot 1727 on Yarrow Path. His widow and daughter Katharine Lane Weems, were parishioners for years after his death and generous benefactors of Emmanuel.

See also our pages World War I Memorial and Katharine Lane Weems.

The Lanes’ home at 53 Marlborough is now the French Cultural Center.

The Lanes’ summer house, The Chimneys, in Manchester by the Sea, MA was designed by Emma G. Lane’s brother Raleigh C. Gildersleeve.